Sunday, 30 October 2011

Concrete Sequence of Events/Narrative for my Teaser Trailer

Beginning –
Set the scene: establishing shot of road victim lives in – pretty, quaint, decent sized family homes, cul-de-sac. Wide shot of her walking down the drive from school, opens the front door, throws her bag on the floor, kisses her mom and runs up stairs. She’s sitting on her bed, drawing an anime figurine listening to her rock music, flash back to school and what happened that day – laughter with friends, name calling from the idiots in her year etc. This builds up empathy for her. She’s normal. Some dialogue over dinner with her family and then cuts to food shopping with her mom – introduce stalker. He’s in the background, blurred at the beginning, then camera focuses on him, turning into their aisle/walking past. Neither victim or her mom notice – he them bumps into them ‘Oh sorry lovey’ and picks up the tin that the victim drops in shock and hands it to her – uncomfortably long eye contact between them, she calls him a freak as he walks off and her mother laughs.
Middle –
Victims phone starts to malfunction every so often – she receives a phone call where nobody talks, it’s just breathing and then the person hangs up – she thinks it’s the boy she likes messing around but every time he calls her phone switches off and won’t turn back on for a while. It happens once or twice and she thinks nothing of it. Various dramas are introduced – bullying, grandmother dies, auntie’s wedding, outings with friends – but there’s a growing unexplainable uneasiness. Whatever she does, wherever she goes she always feels watched. There is a sinister presence felt everywhere except in her home. His blurred disguised figure is everywhere she goes, watching. She goes to her mom for help, but she laughs it off and says she’s daft, but the victim is always so jumpy – scene on the bus where an elderly man taps her on the shoulder and she screams frightening him half to death – and it’s effecting everything in her life. One by one she loses the people dearest to her – her friends no longer want to put up with the crazy, her family just leave her to her room, teachers give up on her etc – she’s left with no one. Completely ostracized, she enters her house after school one evening – nobody is home. She dumps her bag, goes up to her room, shuts the door and draws with her iPod on. He walks into the house after her, quietly, she hears nothing. He rummages around downstairs, knowing full well her music in on too loud to hear him. Suspense is created because he draws it out so much. She starts to feel uneasy – even though her home is her safe haven. She turns off her iPod and goes into the bathroom, taking her phone as some source of comfort. It starts to ring, the same breathing and then hang up – phone switches off. She’s panicking, there is no way she can call for help because her phone is off. He leaves the house just minutes before she builds up the courage to go downstairs. The door opens – it’s her mom and dad coming home from work. This then cuts to a news report, a young girl, stolen from the street on her way home from school, parent’s plea for help. It’s the victim’s parents. Flashback – to victim walking from the bus stop, music on, oblivious to anything. The stalker bumps into her again and she drops her school bag. He apologises as she bends to pick it up – he covers her mouth with his hand and she faints – he’s knocked her out with a drug. She awakens in a dark cellar, light flickers, drips are heard. He comes down the cellar door – creepy dialogue – she’s scared. Tries to cry for help but he gags her after a nasty struggle. She is tied to a chair. He proceeds to violate her and humiliate her culminating in a nasty drawn out murder, of which he has been planning for ages. Blue prints of his plans on the walls.
End –
Her body is never found, he is never caught. Her parents stare at the closed door of her bedroom but everyone else carries on as normal. Cuts to another girl, in another city in the supermarket with her dad – the stalker bumps into her ‘Oh sorry lovey’ BLACKOUT. Credits

Thursday, 27 October 2011

Set/Props/Costume/Actors: ideas

Set

I have 3 main ideas for set; The Lickey Hills (woods), Skate Park and also a house.
     I like the idea of the Lickey Hills and a Skate Park because those are typical haunts for teens in a group of friends, so the victim of my film could realistically spend a lot of time here. However, because they are public areas there is no stopping a stalker from walking through them or passing by/watching my victim, because there are no laws stating certain people cannot pass through.
    The house is a more obvious one, but I think the Stalker does need to come into her home to create a lot of fear within the audience.

Props

I think that props should include; mobile phone - she could keep getting strange phone calls where nobody talks on them and they become more and more frequent; rope/knife/leather gloves - for the stalker, these could be what he brings with him for his final act of cruelty towards my victim.

Costume

Victim: Lots of black eyeliner, messy hair, mainly dark clothing with some fluroescent bold statement colours- show she's an outcast from "the norm", but fits in with her friends
Victims friends: similar to the victim
Stalker: Dark clothes. Greys/Browns/Blacks. Longish hair, face is always mostly covered; hoods, hats, scarves etc. Gloves.

Actors

Victim: 13/14 yr old girl.
Her friends: 3 - 4 other people, mixed, around the same age
Stalker: Tall, large maile

Research Conclusions

From my reasearch, I can conclude that my teaser trailer will be for a certificate 15 thriller. My target audience will expect, from my teaser trailer, to see who is in the film and a piece of vague plot detail that entices my target audience to ask the questions, 'What's going on?' and 'When can I find out?'. My trailer HAS to be good, as all the people from my primary research questionnaire said that they don't go to see a film unless the trailers are good, and also that they do not go to the cinema very regularly, so when they do, it's to see a film that they have high expectations of - because of the teaser trailer/trailer.

My trailer has to be fast paced and edgey, with a good soundtrack to match the action. I will need numerous shots, that are mainly close ups or in low key lighting to hide the full story from the audience, and also they will need to differ in length in terms of the pace of sequencing. The start of my teaser trailer should be slow paced and as the tension builds it needs to get quicker and quicker. The most popular editing technique in teaser trailers, I have found, is the fade to black, so I could try and encorporate this into mine too.

Tuesday, 25 October 2011

Initial ideas

At the moment, I am toying with the idea of a 14 (ish) yr old girl having a stalker, but being unaware of it untill it is too late. I can see a high angle mid shot of a girl with her friends, laughing and joking, but in the distance a figure watching in the background. In the trailer I want to communicate to the audience that this stalker is always there, bidding his time and she is completely unaware. I think that maybe the whole film will be this build up to their final meeting. Possibly, she will meet him beforehand, unaware he watches her every move, be her sweet polite self and think nothing of it.

I am considering never revealing the stalker's indentity because I think that will create more suspense for my audience, because they can never quite see what he really looks like. I think that the girl should also be an outcast from the majority of society, but a have a small group of close-knit friends. She is the kind of girl that comes home from school and locks herself in her room and draws/listens to music instead of interacting with her family. She doesn't have major problems with her family, she just prefers to be alone or with her friends.

In the plot, there should be numerous things going wrong because of the stalker. Such as powercuts, phone lines down, mobile phone mugging etc, that ostracizes her from everything, leaving her with nothing so he van swoop in for his final act.

Secondary Research II

The theme I have imagined for my teaser trailer, very much coincides with theme within The Lovely Bones, in terms of a young teenage girl is victim to a peodophillic act. However, I have found an interesting clip by Mark Kermode, that he posted on his film blog on the BBC website, where he explores peoples fear of children/young people. He basically says that parents fear their children because they are more intelligent, or 'wised up' to things than they were themselves at their child's age or even now in some cases.

Here is the link to this page: http://www.bbc.co.uk/blogs/markkermode/2011/10/scary_kids.html
He uses the recently released horror/thriller/drama film 'We Need To Talk About Kevin' (2011)to explore this idea. In this film, directed by Lynne Ramsay, Kevin goes on a high-school killing spree and his mother tries to deal with her grief and feelings of responsibilty for him by writing to her estranged husband.

Sunday, 23 October 2011

Shutter Island - Teaser trailer analysis




    Opening with a quick fade out to a close up of Leonardo DiCaprio lying horizontally with a furrowed brow , accompanied with non diegetic ominous chords suggests that this will not be an easy film to watch; this is designed to confuse, thrill and leave the audience thinking 'that was an epic film!' We then see a wide shot of a building with big iron gates the front , the camera zooms as the gates open and there is a jab of non-diegetic music. This then straight cuts to a mad gruesome old lady holding her finger to her lips as if to say 'shhh' as we hear the diegetic sound of a guard saying 'Welcome to Shutter Island'. The old lady also has hand cuffs on, which gives an idea about what kind of institution 'Shutter Island' is. This then straight cuts to a mid shot of DiCaprio brow furrowed as he walks, clearly thinking about why the old lady did what she did.

    This then straight cuts to a two-shot of a man's black shoes and a woman's (toenails painted red) feet as there is a jab in the non-diegetic music. This jump cuts to a two-shot of the woman smiling with her hands on a gentleman's (assumingly DiCaprio's) back. This then jump cuts to a flash of lightening, which jump cuts again to another mid shot of DiCaprio as he looks up with his brow furrowed, possibly highlighting some confusion as to what is going on. This then jump cuts to a three-shot of 3 men in white in a scuffle, as one (diegetically) calls out. Another jump cut is used, as the sequencing is getting faster and faster to create more tension, to show an extreme close up of a match being lit accompanied with it's eerily loud diegetic sound. This also jump cuts to a close up of someone's tattooed back behind bars with a jump cut to a close up of a little girl lying down on the rocks, ice in her hair indicating that maybe she is dying.

    Yet another jump cut is used to show a mid-shot of DiCaprio as he jumps back from an arm shooting from between the grates in the cell door (so shot-rev-shot). This then straight cuts to along shot of the little girl, dressed dully in brown, walking along staring at the camera (possibly indicating that this is a PoV shot). As she has cropped up for the second time here, the audience are left wondering what her significance is. This then jump cuts to a two shot of DiCaprio (right) throwing his arm across the table towards someone, annoyed, and a man in blue (left) who, when realizing what DiCaprio is doing, grabs DiCaprio by the arm as he tries to stand. A jump cut is used again to show an over-the-shoulder shot of a bald man giving DiCaprio a piece of paper which DiCaprio looks very distraught at. Another jump cut is used to show a close up of a child's hand rising into the shot eerily, which causes a lot of suspense for the audience. This then jump cuts to a tracking shot of a topless haggard man running through a dark damp underground passage with the diegetic sound of bare feet slapped across the floor.

    This then jump cuts to DiCaprio (low angle shot) clinging to a rock face, which jump cuts to a high angle shot of the same thing, revealing that he is dangling above a raging sea. Another jump cut is used to show a wide shot of DiCaprio holding a woman (seemingly a lover given his desperate body language) as the room and her melt away from him. This then jump cuts to the same woman and the little girl holding hands, staring at the camera as a fire rages behind them and they do nothing to run to safety. This suggests that they are DiCaprio's family. Another jump cut is used to show a close up of DiCaprio reaching out his hand as he clings to the rock face, with yet another jump cut to show a close up of legs running up a spiral staircase as the camera tracks the movement.

     The Non-diegetic music creates tension throughout the trailer through its use of loud ominous chords and musical stabs to emphasize an editing technique or occurrence on screen. It increases in pace as the editing sequencing increases in pace. A jump cut is used to show a mid shot of DiCaprio standing in a burning room staring down at his hands which jump cuts to DiCaprio running and diegeetially screaming towards the camera. He is all in white, which implies that maybe he is a patient. Another jump cut is used to show DiCaprio kick open a door in a white shot, followed by a jump cut to shot a close up of DiCaprio shooting upwards from a bed as if from a nightmare with the diegetic sound of his gasp/exhale. A fade to black is used here with a fade out to an island in low key lighting in the middle of the sea. The words 'Shutter Island' appear on the screen as the shot morphs into a paper drawing with the Island looking like an ink blot.

Thursday, 20 October 2011

Secondary Research

Certificate
Most thrillers are 18+ because their content can include; violence, pyscological issues, scenes of a sexual/explicit nature and, more generally, scenes that potentially are distrubing for younger viewers. However some are 15s like Black Swan, or even The Lovely Bones which is a 12A. Roughly, thrillers target 15-25yr olds.
Usually there are warnings on the DVD cover stating why the film has the particular rating.

Plot
Most plots, for any film not just Thrillers, will follow Todorov's narrative structure. His structure says that there is Equilibrium at the beginning of the film, and then Disequilibrium occurs when something happens, and then at the end of the film re-equilibirum occurs when the chaos has been restored to normal. For example; in The Lovely Bones, the equilibrium is that Susie Salmon is an ordinary 14-yr old girl who had normal concerns/interests/problems. The disequilibrium is that she is raped and murdered by her neighbour and is watching her family fall apart from 'limbo'. The re-equilibrium  is when the murdered gets his come-upance and her family are able to move on with their lives and Susie goes to Heaven.

Here are some links to informations about films with a similar target audience;